倪瓚的繪畫與文學之結合

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Title:	倪瓚的繪畫與文學之結合 The Connection between Painting and Literatare of Ni-Tsan
Authors:	吳長鵬
Date:	1992-06
Issue Date:	2011-12-07 11:57:57 (UTC+8)
Publisher:	臺北市立師範學院
Abstract:	中文摘要　　本論文專研倪瓚的繪畫、詩文、書法等三姐妹藝術之結合，並將倪瓚的「松林亭子圖」、「倪瓚、王蒙合作山水圖」、「竹樹野石圖」、「江岸望山圖」、「楓落吳江圖」、「雨後空林圖」等六件作品中之詩書畫做精深的鑽研、剖析、歸納。並論述倪瓚之繪畫與文學關係，特別是闡述其創作之特色。 Abstract 　　This parer is concentrated on the link of Ni Tsan's painting, poetry and Calligraphy. This Three kinds of art in six of Ni Tsan's works including〝Pavilion in a Pine Grove〞,〝Landscape〞(with wang), 〝Bamboo, Tree and Rock〞, 〝Moutains Viewed from a River Bank〞,〝Falling Maple Leaves on the Wu River〞 and 〝Empty Grove after Rain〞are throughly explored into and analyzed. In addition, the relation between and the charucteristics of Ni Tsan's painting and literatare are desriked and explained.
Relation:	臺北市立師範學院學報 23期 79-104
Appears in Collections:	[Office of Academic Affairs] 臺北市立師範學院學報 (19-36卷1期)

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