English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 3313/17059 (19%)
造訪人次 : 1034976      線上人數 : 510
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋


    請使用永久網址來引用或連結此文件: http://utaipeir.lib.utaipei.edu.tw/dspace/handle/987654321/5188


    題名: 從拜爾到貝多芬─指導鋼琴初學者進入古典原曲的殿堂
    From Beyer to Beethoven--Teaching First Classics to Piano Beginners
    作者: 郭曉玲
    日期: 1992-06
    上傳時間: 2011-12-07 11:58:03 (UTC+8)
    出版者: 臺北市立師範學院
    摘要: 中文摘要
      我國各師範學院的鍵盤樂一課,長久以來一直以拜爾為主要教材,師範生基本能力抽測也以拜爾為考試內容。許多學生學了幾年鋼琴,卻從未彈過一首大作曲家的原作。其實有不少古典小曲難易程度與拜爾後半冊相去不遠,音樂價值卻比拜爾裏的練習高得多。本文的目的即在發掘這一特殊的曲目-能銜接初學教本及中級曲目(如小奏鳴曲)的簡易古典小品。全文共分四大點來討論:
      一、在鍵盤樂的課程中教授古典小品的理由
        1.技巧性:訓練各種不同觸鍵、樂句處理、聲部平衡、和弦、音階等各方面的彈奏技巧。
        2.音樂性:訓練學生對音樂的敏感度,培受自身的詮釋能力。
        3.知識性:認識作曲家、音樂時期與風格、曲式、和聲等。
      二、教授這些古典小品的適當時機
        1.現代樂派:卡巴賴夫斯基與巴爾陶克的作品可為入門教材。
        2.古典樂派與浪漫樂派:學生必需能控制聲部的平衡,有彈奏和弦及在鍵盤上移動手指位置的基礎。
        3.巴洛克樂派:隱藏較多技巧上的困難,應留待最後才教。
      三、決定曲子難易度與選擇適當曲目的原則:
        1.藉分析以了解曲子的結構及所用的素材。
        2.估計手指移位及手型變化的次數。
        3.檢視曲調與節奏有否明顯而固定的模式。
        4.考量觸鍵與樂句處理的複雜性。
        5.衡量此曲應有的速度對學生是否太快。
      四、簡介目前可用的獨奏與聯彈曲集,以及每本曲集的特點。

    Abstract
      For decades, Ferdinand Beyer's (1803-1863) Piano Method has been the standard text book for the keyboard class in all the Teachers Colleges in Taiwan. The Basic Piano Skills Examination held each year for the senior students also focuses on the last pieces in the Beyer's. Because of this emphasis on the Beyer's, many students, after taking keyboard class for several years, never play any original pieces by an important composer. Although easy classic miniatures are neglected, the level of difficulty found in them do not surpass that of the last numbers in Beyer's, and should be introduced to students. The purpose of this paper is to explore the easiest classic piano pieces that can bridge the beginning methods to the intermediate repertoire (for example, sonatinas). The paper will discuss four areas:
      1. Why do we need to teach easy classics in keyboard class?
       a. technical reasons,
       b. musical reasons,
       c. intellectual reasons.
      2. When to start teaching classics?
       a. Contemporary repertoire: Kabalevsky's 0p.39 and Bartok's First Term at the Piano serve well for introduction, and can be taught very early;
       b. Classic and Romantic periods: Gurlitt and many great composers contributed this repertoire;
       c. Baroque period: due to many technical problems involved, Baroque pieces should be postponed.
      3. How to level the difficulty of easy classics?
       a. look for the real length of the piece through analysis;
       b. calculate the moves and shifts involved in each hand;
       c. examine the melodic and rhythmic patterns;
       d. observe the complexity of articulation and touches;
       e. speculate the final tempo, whether it will be too fast or too slow for the student.
      4. What solo and duet collections are available in Taiwan?
    關聯: 臺北市立師範學院學報
    23期
    293-310
    顯示於類別:[研究發展處] 臺北市立師範學院學報 (19-36卷1期)

    文件中的檔案:

    沒有與此文件相關的檔案.



    在uTaipei中所有的資料項目都受到原著作權保護.


    如有問題歡迎與系統管理員聯繫
    02-23113040轉2132
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋